The Black Death, 1348

Tuesday, March 27, 2007

Coming out of the East, the Black Death reached the shores of Italy in the spring of 1348 unleashing a rampage of death across Europe unprecedented in recorded history. By the time the epidemic played itself out three years later, anywhere between 25% and 50% of Europe's population had fallen victim to the pestilence.

The plague presented itself in three interrelated forms. The bubonic variant (the most common) derives its name from the swellings or buboes that appeared on a victim's neck, armpits or groin. These tumors could range in size from that of an egg to that of an apple. Although some survived the painful ordeal, the manifestation of these lesions usually signaled the victim had a life expectancy of up to a week. Infected fleas that attached themselves to rats and then to humans spread this bubonic type of the plague. A second variation - pneumatic plague - attacked the respiratory system and was spread by merely breathing the exhaled air of a victim. It was much more virulent than its bubonic cousin - life expectancy was measured in one or two days. Finally, the septicemic version of the disease attacked the blood system.

Having no defense and no understanding of the cause of the pestilence, the men, women and children caught in its onslaught were bewildered, panicked, and finally devastated.

The Italian writer Giovanni Boccaccio lived through the plague as it ravaged the city of Florence in 1348. The experience inspired him to write The Decameron, a story of seven men and three women who escape the disease by fleeing to a villa outside the city. In his introduction to the fictional portion of his book, Boccaccio gives a graphic description of the effects of the epidemic on his city.

The Signs of Impending Death

"The symptoms were not the same as in the East, where a gush of blood from the nose was the plain sign of inevitable death; but it began both in men and women with certain swellings in the groin or under the armpit. They grew to the size of a small apple or an egg, more or less, and were vulgarly called tumours. In a short space of time these tumours spread from the two parts named all over the body. Soon after this the symptoms changed and black or purple spots appeared on the arms or thighs or any other part of the body, sometimes a few large ones, sometimes many little ones. These spots were a certain sign of death, just as the original tumour had been and still remained.

No doctor's advice, no medicine could overcome or alleviate this disease, An enormous number of ignorant men and women set up as doctors in addition to those who were trained. Either the disease was such that no treatment was possible or the doctors were so ignorant that they did not know what caused it, and consequently could not administer the proper remedy. In any case very few recovered; most people died within about three days of the appearance of the tumours described above, most of them without any fever or other symptoms.

The violence of this disease was such that the sick communicated it to the healthy who came near them, just as a fire catches anything dry or oily near it. And it even went further. To speak to or go near the sick brought infection and a common death to the living; and moreover, to touch the clothes or anything else the sick had touched or worn gave the disease to the person touching. "

Varying Reactions to Disaster

"…Such fear and fanciful notions took possession of the living that almost all of them adopted the same cruel policy, which was entirely to avoid the sick and everything belonging to them. By so doing, each one thought he would secure his own safety.

Some thought that moderate living and the avoidance of all superfluity would preserve them from the epidemic. They formed small communities, living entirely separate from everybody else. They shut themselves up in houses where there were no sick, eating the finest food and drinking the best wine very temperately, avoiding all excess, allowing no news or discussion of death and sickness, and passing the time in music and suchlike pleasures. Others thought just the opposite. They thought the sure cure for the plague was to drink and be merry, to go about singing and amusing themselves, satisfying every appetite they could, laughing and jesting at what happened. They put their words into practice, spent day and night going from tavern to tavern, drinking immoderately, or went into other people's houses, doing only those things which pleased them. This they could easily do because everyone felt doomed and had abandoned his property, so that most houses became common property and any stranger who went in made use of them as if he had owned them. And with all this bestial behaviour, they avoided the sick as much as possible.

In this suffering and misery of our city, the authority of human and divine laws almost disappeared, for, like other men, the ministers and the executors of the laws were all dead or sick or shut up with their families, so that no duties were carried out. Every man was therefore able to do as he pleased.

Many others adopted a course of life midway between the two just described. They did not restrict their victuals so much as the former, nor allow themselves to be drunken and dissolute like the latter, but satisfied their appetites moderately. They did not shut themselves up, but went about, carrying flowers or scented herbs or perfumes in their hands, in the belief that it was an excellent thing to comfort the brain with such odours; for the whole air was infected with the smell of dead bodies, of sick persons and medicines.

Others again held a still more cruel opinion, which they thought would keep them safe. They said that the only medicine against the plague-stricken was to go right away from them. Men and women, convinced of this and caring about nothing but themselves, abandoned their own city, their own houses, their dwellings, their relatives, their property, and went abroad or at least to the country round Florence, as if God's wrath in punishing men's wickedness with this plague would not follow them but strike only those who remained within the walls of the city, or as if they thought nobody in the city would remain alive and that its last hour had come."

The Breakdown of Social Order

"One citizen avoided another, hardly any neighbour troubled about others, relatives never or hardly ever visited each other. Moreover, such terror was struck into the hearts of men and women by this calamity, that brother abandoned brother, and the uncle his nephew, and the sister her brother, and very often the wife her husband. What is even worse and nearly incredible is that fathers and mothers refused to see and tend their children, as if they had not been theirs.

Thus, a multitude of sick men and women were left without any care, except from the charity of friends (but these were few), or the greed, of servants, though not many of these could be had even for high wages, Moreover, most of them were coarse-minded men and women, who did little more than bring the sick what they asked for or watch over them when they were dying. And very often these servants lost their lives and their earnings. Since the sick were thus abandoned by neighbours, relatives and friends, while servants were scarce, a habit sprang up which had never been heard of before. Beautiful and noble women, when they fell sick, did not scruple to take a young or old man-servant, whoever he might be, and with no sort of shame, expose every part of their bodies to these men as if they had been women, for they were compelled by the necessity of their sickness to do so. This, perhaps, was a cause of looser morals in those women who survived."

Mass Burials

"The plight of the lower and most of the middle classes was even more pitiful to behold. Most of them remained in their houses, either through poverty or in hopes of safety, and fell sick by thousands. Since they received no care and attention, almost all of them died. Many ended their lives in the streets both at night and during the day; and many others who died in their houses were only known to be dead because the neighbours smelled their decaying bodies. Dead bodies filled every corner. Most of them were treated in the same manner by the survivors, wbo were more concerned to get rid of their rotting bodies than moved by charity towards the dead. With the aid of porters, if they could get them, they carried the bodies out of the houses and laid them at the door; where every morning quantities of the dead might be seen. They then were laid on biers or, as these were often lacking, on tables.

Such was the multitude of corpses brought to the churches every day and almost every hour that there was not enough consecrated ground to give them burial, especially since they wanted to bury each person in the family grave, according to the old custom. Although the cemeteries were full they were forced to dig huge trenches, where they buried the bodies by hundreds. Here they stowed them away like bales in the hold of a ship and covered them with a little earth, until the whole trench was full."

References:
Boccaccio, Giovanni, The Decameron vol. I (translated by Richard Aldington illustrated by Jean de Bosschere) (1930); Gottfried, Robert, The Black Death (1983).

"The Black Death, 1348," EyeWitness to History, http://www.eyewitnesstohistory.com (2001).

The Legend of the Trojan War

Thursday, March 22, 2007

[Note: This summary, which has been prepared by Ian Johnston of Malaspina University-College, Nanaimo, BC, for students in Classics 101 and Liberal Studies, is a brief account of a number of different old stories about the Trojan war, arranged in more or less chronological sequence. There are several different, even contradictory, versions of events. There is no one authoritative narrative of the whole war. Many of these stories were obviously current before Homer, and the story continued to be embellished by the Romans and Medieval writers]

1. The gods Apollo and Poseidon, during a time when they were being punished by having to work among men, built the city of Troy for Priam's father, Laomedon. They invited the mortal man Aeacus (the son of Zeus and Aegina and grandfather of Achilles) to help them, since destiny had decreed that Troy would one day be captured in a place built by human hands (so a human being had to help them).

2. When newly constructed, Troy was attacked and captured by Herakles (Hercules), Telamon (brother of Peleus and therefore the uncle of Achilles and father of Telamonian Ajax and Teucros), and Peleus (son of Aeacus and father of Achilles), as a punishment for the fact that Laomedon had not given Hercules a promised reward of immortal horses for rescuing Laomedon's daughter Hesione. Telamon killed Laomedon and took Hesione as a concubine (she was the mother of Teucros).

3. Priam, King of Troy and son of Laomedon, had a son from his wife Hekabe (or Hecuba), who dreamed that she had given birth to a flaming torch. Cassandra, the prophetic daughter of Priam, foretold that the new-born son, Paris (also called Alexandros or Alexander), should be killed at birth or else he would destroy the city. Paris was taken out to be killed, but he was rescued by shepherds and grew up away from the city in the farms by Mount Ida. As a young man he returned to Troy to compete in the athletic games, was recognized, and returned to the royal family.

4. Peleus (father of Achilles) fell in love with the sea nymph Thetis, whom Zeus, the most powerful of the gods, also had designs upon. But Zeus learned of an ancient prophecy that Thetis would give birth to a son greater than his father, so he gave his divine blessing to the marriage of Peleus, a mortal king, and Thetis. All the gods were invited to the celebration, except, by a deliberate oversight, Eris, the goddess of strife. She came anyway and brought a golden apple, upon which was written "For the fairest." Hera (Zeus's wife), Aphrodite (Zeus's daughter), and Athena (Zeus's daughter) all made a claim for the apple, and they appealed to Zeus for judgment. He refused to adjudicate a beauty contest between his wife and two of his daughters, and the task of choosing a winner fell to Paris (while he was still a herdsman on Mount Ida, outside Troy). The goddesses each promised Paris a wonderful prize if he would pick her: Hera offered power, Athena offered military glory and wisdom, and Aphrodite offered him the most beautiful woman in the world as his wife. In the famous Judgement of Paris, Paris gave the apple to Aphrodite.

5. Helen, daughter of Tyndareus and Leda, was also the daughter of Zeus, who had made love to Leda in the shape of a swan (she is the only female child of Zeus and a mortal). Her beauty was famous throughout the world. Her father Tyndareus would not agree to any man's marrying her, until all the Greeks warrior leaders made a promise that they would collectively avenge any insult to her. When the leaders made such an oath, Helen then married Menelaus, King of Sparta. Her twin (non-divine) sister Klytaimnestra (Clytaemnestra), born at the same time as Helen but not a daughter of Zeus, married Agamemnon, King of Argos, and brother of Menelaus. Agamemnon was the most powerful leader in Hellas (Greece).

6. Paris, back in the royal family at Troy, made a journey to Sparta as a Trojan ambassador, at a time when Menelaus was away. Paris and Helen fell in love and left Sparta together, taking with them a vast amount of the city's treasure and returning to Troy via Cranae, an island off Attica, Sidon, and Egypt, among other places. The Spartans set off in pursuit but could not catch the lovers. When the Spartans learned that Helen and Paris were back in Troy, they sent a delegation (Odysseus, King of Ithaca, and Menelaus, the injured husband) to Troy demanding the return of Helen and the treasure. When the Trojans refused, the Spartans appealed to the oath which Tyndareus had forced them all to take (see 5 above), and the Greeks assembled an army to invade Troy, asking all the allies to meet in preparation for embarkation at Aulis. Some stories claimed that the real Helen never went to Troy, for she was carried off to Egypt by the god Hermes, and Paris took her double to Troy.

7. Achilles, the son of Peleus and Thetis, was educated as a young man by Chiron, the centaur (half man and half horse). One of the conditions of Achilles's parents' marriage (the union of a mortal with a divine sea nymph) was that the son born to them would die in war and bring great sadness to his mother. To protect him from death in battle his mother bathed the infant in the waters of the river Styx, which conferred invulnerability to any weapon. And when the Greeks began to assemble an army, Achilles's parents hid him at Scyros disguised as a girl. While there he met Deidameia, and they had a son Neoptolemos (also called Pyrrhus). Calchas, the prophet with the Greek army, told Agamemnon and the other leaders that they could not conquer Troy without Achilles. Odysseus found Achilles by tricking him; Odysseus placed a weapon out in front of the girls of Scyros, and Achilles reached for it, thus revealing his identity. Menoitios, a royal counsellor, sent his son Patroclus to accompany Achilles on the expedition as his friend and advisor.

8. The Greek fleet of one thousand ships assembled at Aulis. Agamemnon, who led the largest contingent, was the commander-in-chief. The army was delayed for a long time by contrary winds, and the future of the expedition was threatened as the forces lay idle. Agamemnon had offended the goddess Artemis by an impious boast, and Artemis had sent the winds. Finally, in desperation to appease the goddess, Agamemnon sacrificed his daughter Iphigeneia. Her father lured her to Aulis on the pretext that she was to be married to Achilles (whose earlier marriage was not known), but then he sacrificed her on the high altar. One version of her story claims that Artemis saved her at the last minute and carried her off to Tauris where she became a priestess of Artemis in charge of human sacrifices. While there, she later saved Orestes and Pylades. In any case, after the sacrifice Artemis changed the winds, and the fleet sailed for Troy.

9. On the way to Troy, Philoctetes, the son of Poeas and leader of the seven ships from Methone, suffered a snake bite when the Greeks landed at Tenedos to make a sacrifice. His pain was so great and his wound so unpleasant (especially the smell) that the Greek army abandoned him against his will on the island.

10. The Greek army landed on the beaches before Troy. The first man ashore, Protesilaus, was killed by Hector, son of Priam and leader of the Trojan army. The Greeks sent another embassy to Troy, seeking to recover Helen and the treasure. When the Trojans denied them, the Greek army settled down into a siege which lasted many years.

11. In the tenth year of the war (where the narrative of the Iliad begins), Agamemnon insulted Apollo by taking as a slave-hostage the girl Chryseis, the daughter of Chryses, a prophet of Apollo, and refusing to return her when her father offered compensation. In revenge, Apollo sent nine days of plague down upon the Greek army. Achilles called an assembly to determine what the Greeks should do. In that assembly, he and Agamemnon quarrelled bitterly, Agamemnon confiscated from Achilles his slave girl Briseis, and Achilles, in a rage, withdrew himself and his forces (the Myrmidons) from any further participation in the war. He asked his mother, Thetis, the divine sea nymph, to intercede on his behalf with Zeus to give the Trojans help in battle, so that the Greek forces would recognize how foolish Agamemnon had been to offend the best soldier under his command. Thetis made the request of Zeus, reminding him of a favour she had once done for him, warning him about a revolt against his authority, and he agreed.

12. During the course of the war, numerous incidents took place, and many died on both sides. Paris and Menelaus fought a duel, and Aphrodite saved Paris just as Menelaus was about to kill him. Achilles, the greatest of the Greek warriors, slew Cycnus, Troilus, and many others. He also, according to various stories, was a lover of Patroclus, Troilus, Polyxena, daughter of Priam, Helen, and Medea. Odysseus and Diomedes slaughtered thirteen Thracians (Trojan allies) and stole the horses of King Rhesus in a night raid. Telamonian Ajax (the Greater Ajax) and Hector fought a duel with no decisive result. A common soldier, Thersites, challenged the authority of Agamemnon and demanded that the soldiers abandon the expedition. Odysseus beat Thersites into obedience. In the absence of Achilles and following Zeus's promise to Thetis (see 11), Hector enjoyed great success against the Greeks, breaking through their defensive ramparts on the beach and setting the ships on fire.

13. While Hector was enjoying his successes against the Greeks, the latter sent an embassy to Achilles, requesting him to return to battle. Agamemnon offered many rewards in compensation for his initial insult (see 11). Achilles refused the offer but did say that he would reconsider if Hector ever reached the Greek ships. When Hector did so, Achilles's friend Patroclus (see 7) begged to be allowed to return to the fight. Achilles gave him permission, advising Patroclus not to attack the city of Troy itself. He also gave Patroclus his own suit of armour, so that the Trojans might think that Achilles had returned to the war. Patroclus resumed the fight, enjoyed some dazzling success (killing one of the leaders of the Trojan allies, Sarpedon from Lykia), but he was finally killed by Hector, with the help of Apollo.

14. In his grief over the death of his friend Patroclus, Achilles decided to return to the battle. Since he had no armour (Hector had stripped the body of Patroclus and had put on the armour of Achilles), Thetis asked the divine artisan Hephaestus, the crippled god of the forge, to prepare some divine armour for her son. Hephaestus did so, Thetis gave the armour to Achilles, and he returned to the war. After slaughtering many Trojans, Achilles finally cornered Hector alone outside the walls of Troy. Hector chose to stand and fight rather than to retreat into the city, and he was killed by Achilles, who then mutilated the corpse, tied it to his chariot, and dragged it away. Achilles built a huge funeral pyre for Patroclus, killed Trojan soldiers as sacrifices, and organized the funeral games in honour of his dead comrade. Priam travelled to the Greek camp to plead for the return of Hector's body, and Achilles relented and returned it to Priam in exchange for a ransom.

15. In the tenth year of the war the Amazons, led by Queen Penthesilea, joined the Trojan forces. She was killed in battle by Achilles, as was King Memnon of Ethiopa, who had also recently reinforced the Trojans. Achilles's career as the greatest warrior came to an end when Paris, with the help of Apollo, killed him with an arrow which pierced him in the heel, the one vulnerable spot, which the waters of the River Styx had not touched because his mother had held him by the foot (see 7) when she had dipped the infant Achilles in the river. Telamonian Ajax, the second greatest Greek warrior after Achilles, fought valiantly in defense of Achilles's corpse. At the funeral of Achilles, the Greeks sacrificed Polyxena, the daughter of Hecuba, wife of Priam. After the death of Achilles, Odysseus and Telamonian Ajax fought over who should get the divine armour of the dead hero. When Ajax lost the contest, he went mad and committed suicide. In some versions, the Greek leaders themselves vote and decide to award the armour to Odysseus.

16. The Greeks captured Helenus, a son of Priam, and one of the chief prophets in Troy. Helenus revealed to the Greeks that they could not capture Troy without the help of Philoctetes, who owned the bow and arrows of Hercules and whom the Greeks had abandoned on Tenedos (see 9 above). Odysseus and Neoptolemus (the son of Achilles) set out to persuade Philoctetes, who was angry at the Greeks for leaving him alone on the island, to return to the war, and by trickery they succeeded. Philoctetes killed Paris with an arrow shot from the bow of Hercules.

17. Odysseus and Diomedes ventured into Troy at night, in disguise, and stole the Palladium, the sacred statue of Athena, which was supposed to give the Trojans the strength to continue the war. The city, however, did not fall. Finally the Greeks devised the strategy of the wooden horse filled with armed soldiers. It was built by Epeius and left in front of Troy. The Greek army then withdrew to Tenedos (an island off the coast), as if abandoning the war. Odysseus went into Troy disguised, and Helen recognized him. But he was sent away by Hecuba, the wife of Priam, after Helen told her. The Greek soldier Sinon stayed behind when the army withdrew and pretended to the Trojans that he had deserted from the Greek army because he had information about a murder Odysseus had committed. He told the Trojans that the horse was an offering to Athena and that the Greeks had built it to be so large that the Trojans could not bring it into their city. The Trojan Laocoon warned the Trojans not to believe Sinon ("I fear the Greeks even when they bear gifts"); in the midst of his warnings a huge sea monster came from the surf and killed Laocoon and his sons.

18. The Trojans determined to get the Trojan Horse into their city. They tore down a part of the wall, dragged the horse inside, and celebrated their apparent victory. At night, when the Trojans had fallen asleep, the Greek soldiers hidden in the horse came out, opened the gates, and gave the signal to the main army which had been hiding behind Tenedos. The city was totally destroyed. King Priam was slaughtered at the altar by Achilles's son Neoptolemos. Hector's infant son, Astyanax, was thrown off the battlements. The women were taken prisoner: Hecuba (wife of Priam), Cassandra (daughter of Priam), and Andromache (wife of Hector). Helen was returned to Menelaus.

19. The gods regarded the sacking of Troy and especially the treatment of the temples as a sacrilege, and they punished many of the Greek leaders. The fleet was almost destroyed by a storm on the journey back. Menelaus's ships sailed all over the sea for seven years to Egypt (where, in some versions, he recovered his real wife in the court of King Proteus; see 6 above). Agamemnon returned to Argos, where he was murdered by his wife Clytaemnestra and her lover, Aegisthus. Cassandra, whom Agamemnon had claimed as a concubine after the destruction of Troy, was also killed by Clytaemnestra. Aegisthus was seeking revenge for what the father of Agamemnon (Atreus) had done to his brother (Aegisthus' father) Thyestes. Atreus had given a feast for Thyestes in which he fed to him the cooked flesh of his own children (see the family tree of the House of Atreus given below). Clytaemnestra claimed that she was seeking revenge for the sacrifice of her daughter Iphigeneia (see 8 above).

20. Odysseus (called by the Romans Ulysses) wandered over the sea for many years before reaching home. He started with a number of ships, but in a series of misfortunes, lasting ten years because of the enmity of Poseidon, the god of the sea, he lost all his men before returning to Ithaca alone. His adventures took him from Troy to Ismareos (land of the Cicones); to the land of the Lotos Eaters, the island of the cyclops (Poseidon, the god of the sea, became Odysseus's enemy when Odysseus put out the eye of Polyphemus, the cannibal cyclops, who was a son of Poseidon); to the cave of Aeolos (god of the winds), to the land of the Laestrygonians, to the islands of Circe and Calypso, to the underworld (where he talked to the ghost of Achilles); to the land of the Sirens, past the monster Scylla and the whirlpool Charybdis, to the pastures of the cattle of Helios, the sun god, to Phaiacia. Back in Ithaca in disguise, with the help of his son Telemachus and some loyal servants, he killed the young princes who had been trying to persuade his wife, Penelope, to marry one of them and who had been wasting the treasure of the palace and trying to kill Telemachus. Odysseus proved who he was by being able to string the famous bow of Odysseus, a feat which no other man could manage, and by describing for Penelope the secret of their marriage bed, that Odysseus had built it around an old olive tree.

21. After the murder of Agamemnon by his wife Clytaemnestra (see 19 above), his son Orestes returned with a friend Pylades to avenge his father. With the help of his sister Electra (who had been very badly treated by her mother, left either unmarried or married to a poor farmer so that she would have no royal children), Orestes killed his mother and Aegisthus. Then he was pursued by the Furies, the goddesses of blood revenge. Suffering fits of madness, Orestes fled to Delphi, then to Tauri, where, in some versions, he met his long-lost sister, Iphigeneia. She had been rescued from Agamemnon's sacrifice by the gods and made a priestess of Diana in Tauri. Orestes escaped with Iphigeneia to Athens. There he was put on trial for the matricide. Apollo testified in his defense. The jury vote was even; Athena cast the deciding vote in Orestes's favour. The outraged Furies were placated by being given a permanent place in Athens and a certain authority in the judicial process. They were then renamed the Eumenides (The Kindly Ones). Orestes was later tried for the same matricide in Argos, at the insistence of Tyndareus, Clytaemnestra's father. Orestes and Electra were both sentenced to death by stoning. Orestes escaped by capturing Helen and using her as a hostage.

22. Neoptolemus, the only son of Achilles, married Hermione, the only daughter of Helen and Menelaus. Neoptolemus also took as a wife the widow of Hector, Andromache. There was considerable jealously between the two women. Orestes had wished to marry Hermione; by a strategy he arranged it so that the people of Delphi killed Neoptolemus. Then he carried off Hermione and married her. Menelaus tried to kill the son of Neoptolemus, Molossus, and Andromache, but Peleus, Achilles's father, rescued them. Andromache later married Helenus. Orestes's friend Pylades married Electra, Orestes sister.

23. Aeneas, the son of Anchises and the goddess Aphrodite and one of the important Trojan leaders in the Trojan War, fled from the city while the Greeks were destroying it, carrying his father, Anchises, his son Ascanius, and his ancestral family gods with him. Aeneas wandered all over the Mediterranean. On his journey to Carthage, he had an affair with Dido, Queen of Carthage. He abandoned her without warning, in accordance with his mission to found another city. Dido committed suicide in grief. Aeneas reached Italy and there fought a war against Turnus, the leader of the local Rutulian people. He did not found Rome but Lavinium, the main centre of the Latin league, from which the people of Rome sprang. Aeneas thus links the royal house of Troy with the Roman republic.


The Cultural Influence of the Legend of the Trojan War


No story in our culture, with the possible exception of the Old Testament and the story of Jesus Christ, has inspired writers and painters over the centuries more than the Trojan War. It was the fundamental narrative in Greek education (especially in the version passed down by Homer, which covers only a small part of the total narrative), and all the tragedians whose works survive wrote plays upon various aspects of it, and these treatments, in turn, helped to add variations to the traditional story. No one authoritative work defines all the details of the story outlined above.

Unlike the Old Testament narratives, which over time became codified in a single authoritative version, the story of the Trojan War exists as a large collection of different versions of the same events (or parts of them). The war has been interpreted as a heroic tragedy, as a fanciful romance, as a satire against warfare, as a love story, as a passionately anti-war tale, and so on. Just as there is no single version which defines the "correct" sequence of events, so there is no single interpretative slant on how one should understand the war. Homer's poems enjoyed a unique authority, but they tell only a small part of the total story.

he following notes indicate only a few of the plays, novels, and poems which have drawn on and helped to shape this ancient story.

1. The most famous Greek literary stories of the war are Homer's Iliad and Odyssey, our first two epic poems, composed for oral recitation probably in the eighth century before Christ. The theme of the Iliad is the wrath of Achilles at the action of Agamemnon, and the epic follows the story of Achilles's withdrawal from the war and his subsequent return (see paragraphs 11, 12, 13, and 14 above). The Odyssey tells the story of the return of Odysseus from the war (see 20 above). A major reason for the extraordinary popularity and fecundity of the story of the Trojan War is the unquestioned quality and authority of these two great poems, even though they tell only a small part of the total narrative and were for a long time unavailable in Western Europe (after they were lost to the West, they did not appear until the fifteenth century). The Iliad was the inspiration for the archaeological work of Schliemann in the nineteenth century, a search which resulted in the discovery of the site of Troy at Hissarlik, in modern Turkey.

2. The Greek tragedians, we know from the extant plays and many fragments, found in the story of the Trojan War their favorite material, focusing especially on the events after the fall of the city. Aeschylus's famous trilogy, The Oresteia (Agamemnon, Choephoroi [Libation Bearers], and Eumenides [The Kindly Ones]), tells of the murder of Agamemnon and Cassandra by Clytaemnestra and Aegisthus, the revenge of Orestes, and the trial for the matricide. Both Sophocles and Euripides wrote plays about Electra, and Euripides also wrote a number of plays based on parts the larger story: The Trojan Women, The Phoenissae, Orestes, Helen, and Iphigeneia in Tauris (see 21 and 22 above). Sophocles also wrote Philoctetes (see 16) and Ajax (see 15) on events in the Trojan War.

3. Greek philosophers and historians used the Trojan War as a common example to demonstrate their own understanding of human conduct. So Herodotus and Thucydides, in defining their approach to the historical past, both offer an analysis of the origins of the war. Plato's Republic uses many parts of Homer's epics to establish important points about political wisdom (often citing Homer as a negative example). Alexander the Great carried a copy of the Iliad around with him in a special royal casket which he had captured from Darius, King of the Persians.

4. The Romans also adopted the story. Their most famous epic, Virgil's Aeneid, tells the story of Aeneas (see 23). And in the middle ages, the Renaissance, and right up to the present day, writers have retold parts of the ancient story. These adaptations often make significant changes in the presentation of particular characters, notably Achilles, who in many versions becomes a knightly lover, and Odysseus/Ulysses, who is often a major villain. Ulysses) and Diomedes appear in Dante's Inferno. Of particular note are Chaucer's and Shakespeare's treatments of the story of Troilus and Cressida.

Modern writers who have drawn on the literary tradition of this ancient cycle of stories include Sartre (The Flies), O'Neill (Mourning Becomes Electra), Giradoux (Tiger at the Gates), Joyce (Ulysses), Eliot, Auden, and many others. In addition, the story has formed the basis for operas and ballets, and the story of Odysseus has been made into a mini-series for television. This tradition is a complicated one, however, because many writers, especially in Medieval times, had no direct knowledge of the Greek sources and re-interpreted the details in very non-Greek ways (e.g., Dante, Chaucer, and Shakespeare). Homer's text, for example, was generally unknown in Western Europe until the late fifteenth century.

5. For the past two hundred years there has been a steady increase in the popularity of Homer's poems (and other works dealing with parts of the legend) translated into English. Thus, in addition to the various modern adaptations of parts of the total legend of the Trojan war (e.g., Brad Pitt's Troy), the ancient versions are still very current.

The Royal House of Atreus

The most famous (or notorious) human family in Western literature is the House of Atreus, the royal family of Mycenae. To follow the brief outline below, consult the simplified family tree in p. 279 of the text of Aeschylus's play. Note that different versions of the story offer modifications of the family tree.

The family of Atreus suffered from an ancestral crime, variously described. Most commonly Tantalus, son of Zeus and Pluto, stole the food of the gods. In another version he kills his son Pelops and feeds the flesh to the gods (who later, when they discover what they have eaten, bring Pelops back to life). Having eaten the food of the gods, Tantalus is immortal and so cannot be killed. In Homer's Odyssey, Tantalus is punished everlastingly in the underworld.

The family curse originates with Pelops, who won his wife Hippodamia in a chariot race by cheating and betraying and killing his co-conspirator (who, as he was drowning, cursed the family of Pelops). The curse blighted the next generation: the brothers Atreus and Thyestes quarrelled. Atreus killed Thyestes's sons and served them to their father at a reconciliation banquet.

To obtain revenge, Thyestes fathered a son on his surviving child, his daughter Pelopia. This child was Aegisthus, whose task it was to avenge the murder of his brothers. When Agamemnon set off for Troy (sacrificing his daughter Iphigeneia so that the fleet could sail from Aulis), Aegisthus seduced Clytaemnestra and established himself as a power in Argos.

When Agamemnon returned, Clytaemnestra and Aegisthus killed him (and his captive Cassandra)--Aegisthus in revenge for his brothers, Clytaemnestra in revenge for the sacrifice of Iphigeneia. Orestes at the time was away, and Electra had been disgraced.

Orestes returned to Argos to avenge his father. With the help of a friend, Pylades, and his sister Electra, he succeeded by killing his mother, Clytaemnestra, and her lover, Aegisthus. After many adventures (depending upon the narrative) he finally received absolution for the matricide, and the curse was over.

Many Greek poets focused on this story. Homer repeatedly mentions the murder of Agamemnon in the Odyssey and the revenge of Orestes on Aegisthus (paying no attention to the murder of Clytaemnestra); Aeschylus's great trilogy The Oresteia is the most famous classical treatment of the tale; Sophocles and Euripides both wrote plays on Orestes and Electra.

One curious note is the almost exact parallel between the story of Orestes in this family tale and the story of Hamlet. These two stories arose, it seems, absolutely independently of each other, and yet in many crucial respects are extraordinarily similar. This match has puzzled many a comparative literature scholar and invited all sorts of psychological theories about the trans-cultural importance of matricide as a theme.

For a more detailed account of the House of Atreus, use the following link: House of Atreus.

Source

The All-Seeing Eye

Wednesday, March 21, 2007

The All-Seeing Eye -- a single human eye surrounded by radiating beams of light -- is found in many eras and cultures. It is generally a symbol of the watchful and protective power of the Supreme Being, especially when that entity is considered in a solar or heavenly context. It appears on the Great Seal of the United States, and is among the many beautiful symbols of Freemasonry, where it represents the Great Architect of the Universe.

In regions where the evil eye belief occurs, the All-Seeing Eye is one of many forms of reflective eye-charm used as apotropaic talismans against the this danger. In its specifically protective role, the All-Seeing Eye appears on at least one North American Good Luck Coin to "guard" the bearer "from evil." A similar talismanic function was assigned to the protective Wadjet Eye or "Eye of Horus" of Ancient Egypt and the Third Eye of Buddha in India. Even the Mexican ojo de venado charm, an ancient shamanic amulet made from a psychedelic legume seed is given an eye-related name: ojo de venado means "Deer Eye."

The apotropaic all-seeing eye charm shown at above right is from Turkey. Just 1 1/4" x 2" in size, it is hand-made of blue glass and fitted with a blue ribbon and brass chain, so that it can be hung in a window, on a wall, near the door, or over a baby's bed, where it will ward off the evil eye. Related symbolism assigns protective power to the eye-in-hand and other blue eye amulets of Turkey. Greece, North Africa, the Middle East, and India. Similar blue glass eye charms from Turkey include the horseshoe and eyes; the eye, horseshoe, and grapes; and one i call the "eyes-all-over" sphere.

The protective all-seeing eye wall hanger is from Egypt. About 2" x 4" in size, it is made of stamped silvery-coloured metal covered with a transparent wash of bright blue enamel paint that gives it a lovely "dimensional" effect. It is fitted with a silvery-coloured metal chain and a bunch of little "danglers" for added protection. It can be hung in a car from the rear-view mirror or on a wall at home, either near the door or over a baby's bed, where it will ward off the evil eye. The back is unpainted; if it is to be hung where it can be seen from both sides, glue two together back-to-back; they fit together perfectly. The maker of these all-seeing eyes also makes a similar stamped metal hamsa hand wall hanger.

Source

Aren't You Glad You Didn't Turn on the Light?

An Urban Legend

As told by Whorton...

Two dormmates in college were in the same science class. The teacher had just reminded them about the midterm the next day when one dormmate — let's call her Juli — got asked to this big bash by the hottest guy in school. The other dormmate, Meg, had pretty much no interest in going and, being a diligent student, she took notes on what the midterm was about. After the entire period of flirting with her date, Juli was totally unprepared for her test, while Meg was completely prepared for a major study date with her books.

At the end of the day, Juli spent hours getting ready for the party while Meg started studying. Juli tried to get Meg to go, but she was insistent that she would study and pass the test. The girls were rather close and Juli didn't like leaving Meg alone to be bored while she was out having a blast.

Juli finally gave up, using the excuse that she would cram in homeroom the next day.

Juli went to the party and had the time of her life with her date. She headed back to the dorm around 2 a.m. and decided not to wake Meg. She went to bed nervous about the midterm and decided she would wake up early to ask Meg for help.

She woke up and went to wake Meg. Meg was lying on her stomach, apparently sound asleep. Juli rolled Meg over to reveal Meg's terrified face. Juli, concerned, turned on the desk lamp. Meg's study stuff was still open and had blood all over it. Meg had been slaughtered. Juli, in horror, fell to the floor and looked up to see, written on the wall in Meg's blood: "Aren't you glad you didn't turn on the lights!"


As told by Jon Little...

I heard about a girl who went back to her dorm room late one night to get her books before heading to her boyfriend's room for the night. She entered but did not turn on the light, knowing that her roommate was sleeping. She stumbled around the room in the dark for several minutes, gathering books, clothes, toothbrush, etc. before finally leaving.

The next day, she came back to her room to find it surrounded by police. They asked if she lived there and she said yes. They took her into her room, and there, written in blood on the wall, were the words, "Aren't you glad you didn't turn on the light?" Her roommate was being murdered while she was getting her things.

(I've heard this several different times. Each time it was at a different university.)


Comments: This is a variant of a widely told legend given the title "The Roommate's Death" by folklorist Jan Harold Brunvand (see The Vanishing Hitchhiker, W.W. Norton, 1981). In every version of "The Roommate's Death" someone is killed right under the nose of an unsuspecting female protagonist, but because the lights are out, or the crime takes place in another room, the victim's body isn't discovered until later, usually the next morning. As the story is sometimes told, the protagonist hears suspicious noises but is afraid to investigate because she thinks it could be an intruder coming after her.

The "creepiness factor" is high in "Aren't You Glad You Didn't Turn On the Light?" On discovering the body, the main character can't help but realize what a close call she's had. And the murderer rubs it in with a message scrawled in blood.

While the general form of the legend dates back at least 40 years (and surely more), it has a timeless appeal as a specimen of the "American adolescent shocker story," to borrow Brunvand's phrase. As he wrote in The Vanishing Hitchhiker,

One consistent theme in these teenage horrors is that as the adolescent moves out from home into the larger world, the world's dangers may close in on him or her. Therefore, although the immediate purpose of these legends is to produce a good scare, they also serve to deliver a warning: Watch out! This could happen to you!

As is often the case with so-called "cautionary tales," however, the warning is of little practical use to those who hear and repeat the legend apart from providing some degree of catharsis vis-a-vis the inevitable fears that accompany growing up and moving away from home.


Read more about this urban legend:

College Urban Legends - Lies Students Love to Tell
Lighthearted article in MSN Encarta plumbs the depths of college folklore and coed paranoia.

Aren't You Glad You Didn't Turn on the Light?
More variants with commentary by David Mikkelson.


Source

Hello Frontiers of Wonder Readers!

Tuesday, March 20, 2007

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Kelly B
aka SpiralButterfly

 
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